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JAHAN-E-TAHQEEQ · pp. 180-187

IMAGERY IN MOHAMMAD JAMEEL KACHO KHEL’S FICTIONAL COLLECTION “NAWHA E BENAM

عبیر شاہ
سارہ بی بی
ڈاکٹر صدیق اقبال

Abstract

Just as a poem is a mirror of its culture, customs and human problems, in the same way a good and quality prose is

also a complete representative of the society. In this way, both a good poem and a good prose live on even after the

death of the poet and give respect to writers after death. One name in this list of writers and poets is Muhammad

Jameel Kachokhel. He added myths to the modern age through his unique style His writing, whether in poetry or prose,

is derived from his soil and environment. In his writing, the material problems of the common people and their

intellectual structure are clearly visible. His writing is based on common habits, Customs and traditions are such a

mirror in which every person of the society can see his own face. Apart from the flight of his mental and intellectual

world, what he has felt in the field of national struggle and in his surroundings, he has clothed it in words through his

pen. The art of imagery along with other technical accessories is at the peak in his fictions. There are excellent

examples of imagery in his legendary collection "Noha e Benam" Which is the main theme of the said article.

Keywords

jameel Kacho KhelFiction writingimageryculturecustomstraditionsNawha e BenamMythenvironmentnational struggle

Record

Identifier
https://doi-services.com/1103/1733
Published
2024-09-30
Version
1
Original
https://studentsconsultancyhome.com/jahan-e-tahqeeq/index.php/jet/article/view/1733
SHA-256
86015fe179460c3fa5d0d59d46e399f4b0eb3a5f1674df7a7f7f7e7e9d5f1934
Archived
2026-11-06